![]() All robert crumb artwork ships within 48 hours and includes a. Parallel to his exhibition other events took place, like live screenings of films about him and films with related themes, as well as a live performance.Īll visuals of Crumb drawings are ©Paul Morris Gallery + R. Shop for robert crumb wall art from the worlds greatest living artists and iconic brands. Without his generous support and help the Van Horn project couldn’t have happened this way. Artistically as well as personally he’s absolutely true to himself. ![]() He does uncompromising, strong work and is fearless with his obsessions. (somebody said: “The Brueghel of the 2nd half of the 20th century). I think he’s one of the greatest living artists and wanted to see his work myself in my space. Nevertheless his work wasn‘t exhibited in Germany until now and also was not really present in the perception of the common artworld. He is a gifted draftsman and pursues his work and life with astonishing unconditional fervour. In both his work and in person Robert Crumb embodies what I find important in art. Over the years he developed an artistic body of work which is not only striking through his craftsmanship and intensity, but also through it’s wit and the underlying beauty it conveys. Crumb’s artistic work goes far beyond psychedelic comics. Natural, which he invented when he was part of the so-called “underground comic scene” in the 60s. Robert Crumb is probably most well-known for characters such as Fritz the Cat and Mr. These were all more recent works from 1996 until 2003. Instead the images come from others, occasionally from women who send selfies, wanting Crumb to draw them).The opening exhibition of Van Horn consisted of 7 original drawings by Robert Crumb in his first solo-show in Germany. (Crumb doesn’t seem to take the photos himself – he is famously luddite and does not own a mobile, much less a camera phone. This tension is increased when you come across images whose subjects were seemingly unaware of the source photo being taken. There was a show recently at the Society of Illustrators in New York City that solidly put a piece of punctuation on all the admiration I have for his artwork. There is an uneasy tension, but an undeniable fascination, in looking at drawings that represent someone else’s turn-ons. Underground cartoonist, designer, illustrator, drawerthey all seem like inadequate titles when attached to his body of work. ![]() All these qualities combine to endlessly fascinate the artist and challenge his powers of expression. ![]() Underneath the deceptive simplicity of the model’s attitude here, the sensitive viewer can perceive the complexity and richness of character an imposing, implacable physical presence, a girlish wholesomeness and innocence, a serious, sober awareness, and yet a potential for sensual abandonment. There is a sense of seedy voyeurism in viewing these women through Crumb’s eyes, as the objects of his fantasies, as he explains his affections in short accompanying texts: Courtesy the artist, Paul Morris, and David Zwirner, New York/London Untitled (2016), Page from Art & Beauty Magazine, #3 (2016), R. Some are friends (including his wife Aline, and Eden of the East River String Band) some are strangers he has encountered in person, or seen in photos some are sports personalities and celebrities drawn from press photographs (among them, Serena Williams and Lady Gaga) a few are from life modelling classes, and others are from an early 20th-century magazine, also called Art & Beauty, which collected ‘semi-erotic images of life models for art lovers and aspiring painters’. Crumb’s Art & Beauty Magazines continue this infatuation, and this exhibition is a presentation of 58 of his original drawings for all three issues of the sporadically published magazine (issue #1 came out in 1996, #2 in 2003 and #3 was published by David Zwirner Books this year).Įach issue of Art & Beauty is a compilation of Crumb’s drawings of women, taken from various sources. ‘I began wasting my god-given talent drawing pictures of sexy women the way I liked ‘em…trying to capture the shape of that magnificent female ass of my dreams’. In a short comic strip from the book, My Troubles With Women, Crumb explains that it was through a teenage fascination with these subjects that he learned to draw. Untitled (2002), Page from Art & Beauty Magazine, #2 (2003), R.
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